SFF 4(?)

Aaaargh sorry for the exceptionally long delay.

Still on Day 2 but post lunch
Session 13: Divine Updates – Myths of the Classical World in Popular Literature.
This panel was all by academics from the University of Zurich, I’m not sure I quite caught a unifying theme to the papers but each of them offered me a whole load of food for thought.

The first was by Meret Fehlmann on the re-imagining of classical myth (and religion) in the novels of Robert Graves and Elizabeth Hand.
I haven’t read anything by Hand and I haven’t read the novels by Graves that Fehlmann discussed (though perhaps unsurprisingly I have read his Greek Myths & I, Claudius) but I am quite conscious of the fact that his interpretation of pre-historic Goddess worship has been influential so I was interested to see how she traced his ideas and reactions to them. Fehlmann demonstrated 2 points: firstly how Graves developed his ideas about the cult of the mother Goddess from his version of the Golden Fleece into his book 7 Days in New Crete to suggest a kind of utopian re-balancing of society and secondly how Hand re-wrote those ideas about the cult and ultimately rejected their usefulness.
Graves’ ideas about both the importance of women in cultic scenarios and the notion of the necessity of destruction in society have their basis in a number of late nineteenth and early twentieth century anthropological enquiries, including those of Jane Ellen Harrison. The ideas are played out across swathes of pagan and feminist literature but were fairly quickly rejected by scholars and then ultimately by those groups too. It is interesting to see the literary positions that demonstrate the trends but unsatisfying to consider how much more there could be done on tracing lines of influence… My brain was so buzzing with the possibility of showing how JEH influenced 70’s lesbian pagan feminism I was quite distracted.

Next up.. a Paper on the Watchmen graphic novel/comic from Scott Brand

This paper served as a gazetteer of almost every classical allusion the speaker could find. Naturally there was an interesting discussion on the impact of using Juvenal (quis custodiet..) as the central theme of the novel (albeit mediated through American politics) and some focus on the Promethean elements of the characters. However, to my taste the paper as a whole was a little light on analysis (although it is only fair to note that this was not his normal research topic) but instead offered up some interesting possibilities for further analysis as well as illustrating how classical material can serve as ornamental short-hand and foreshadowing. I would particularly like to see someone with greater skill than I pick apart the interplay between the Greek, Roman and Egyptian identities and images of the character of Ozymandias.

The 3rd paper of the panel entitled “Where’s the glory in repeating what others have done? Mediating the Ancient and the Modern in Rick Riordan’s Percy Jackson & the Olympians series” was from Petra Schrackmann.

This rather fascinating paper took great care to show how the novels actively re-write ancient mythology in order to make it more relevant to modern children. Schrackmann especially argued that by juxtaposing the modern and the mythological Riordan was able to critique both and that he used the books to create a modern mythos that especially highlights issues with the education system as well as providing a pathway to the growth of personal identity. It is clear that the series shares some of its central themes with many other books for its target age-range, specifically the notion of the power of knowledge and learning to negotiate independence through issues of agency but the speaker nicely highlighted why the often fatalistic Greek myths could still be used fruitfully.

This paper was followed rather well thematically by the final paper of the panel by Aleta-Amiree Von Holzen on Anne Ursu’s Cronus Chronicles. I have to confess that not only have I not read these ‘middle grade’ stories, I hadn’t even heard of them before the paper. Nonetheless the speaker competently outlined the key plot points before explaining some of the ways that the author took some of the same basic premises of the Percy Jackson series but created a different feeling in order to offer thoughts on the nature and purpose of power. The paper suggested that Ursu’s modernising of the myths sometimes inserts a slightly comic tone into the stories but the disregard of humanity shown by the Gods has a lot in common with the  ancient tragedies. Von Holzen also drew out the importance of the Promethean myth to the Chronicles’ consideration of free-will and the role of the Gods in a modern world – a classical connection that (as well as being discussed indirectly in a later paper) surely ought to be brought out more in modern writing.

In summary, despite (or perhaps because of) the fairly diverse directions of these modern mythological re-tellings/re-purposing it was clear that writers have been very conscious of the difficulties of using such a different cultural medium as ancient myth in their own work but also that they can use that to their advantage.

Right, better stop there before this gets any longer.
Monday morning next (Nick Lowe’s plenary will I think act a as kind of conclusion to the whole conference)

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One thought on “SFF 4(?)

  1. Pingback: Atlantis, conferences, Kieron Gillen and loads of other stuff | Swords, Sorcery, Sandals and Space

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