Tag Archives: conference

Some Bibliography on Roman Britain & Time-Travel

Mostly for my own reference (apologies for the mixed referencing styles):

Primary Sources

  1. E. Nesbit (1906) The Story of the Amulet
  2. S. Cooper (1977) The Silver on the Tree
  3. G. Clews (xxxx) Jessica Jones and the Gates of Penseron
  4. J. Jarman (2001) The Time-Travelling Cat and the Roman Eagle London: Andersen Press [Also online resource: Julia Jarman ‘The Time-Travelling Cat and the Roman Eagle’ 17 March 2009 http://www.juliajarman.com/books/booksinbetweens/143-ttcromaneagle.html ]
  5. Haynes, Toby, dir. 2010a. ‘The Pandorica Opens’ [New] Doctor Who 5:12 (212a) UK: BBC One [First broadcast BBC One: 19 June 2010]
  6. Weiland, Paul, dir. 1999. Blackadder: Back and Forth UK: New Millennium Experience Company, Sky, Tiger Aspect Productions [33 mins.]

On Time-Travel

On Classics in fiction & British life

  • Haverfield, Francis. 1912. [2nd ed.] The Romanization of Roman Britain Oxford: Clarendon Press
  • Hingley, Richard. 2008.The Recovery of Roman Britain 1586-1906: A Colony So Fertile Oxford: Oxford University Press
  • P. Ayres (1997) Classical Culture and the Idea of Rome in Eighteenth-Century England Cambridge University Press: Cambridge/New York
  • V. Hoselitz (2007)Imagining Roman Britain: Victorian Responses to a Roman Past Royal Historical Press/Boydell Press: Woodbridge
  • S. Stroh (2009) “The long shadow of Tacitus: Classical and modern colonial discourses in the eighteenth- and early-nineteenth-century Scottish Highlands,” in Transcultural English Studies: Theories, Fictions, Realities, F. Schulze–Engler & S. Helff. Rodopi: Amsterdam/Atlanta pp. 339-354.
  • Goodman, Penelope. 2010. ‘Doctor Who and the plastic plastic Roman’ Weavings and Unpickings:  http://weavingsandunpickings.wordpress.com/2010/11/21/doctor-who-and-the-plastic-plastic-roman/ 
  • Hobden, Fiona. 2009. ‘History meets fiction in Doctor Who, “The fires of Pompeii”: A BBC reception of ancient Rome on screen and online’Greece and Rome (Second Series) 56.2: 147-163 DOI: http://dx.doi.org/10.1017/S0017383509990015
  • Joshel, Sandra et al. 2001 Imperial projections: ancient Rome in modern popular culture Baltimore, Maryland: The Johns Hopkins University Press
  • S. Piggot (1989) Ancient Britons and the antiquarian imagination: ideas from the Renaissance to the Regency Thames and Hudson: London 
  • S. Smiles (1994) The Image of Antiquity: Ancient Britain and the Romantic Imagination Yale University Press: New Haven CT/London
  • K. Trumpener (1997) Bardic Nationalism: The Romantic Novel and the British Empire Princeton University Press: Princeton NJ

On the individual books/authors

  • Bar-Yosef, Eitan. 2003. ‘E. Nesbit and the Fantasy of Reverse Colonialization: How Many Miles to Modern Babylon?’ English Literature in Transition 1880-1920 46.1: 5-28
  • Butler, Charles. 2006. Four British Fantasists: Place and Culture in the Children’s fantasies of Penelope Lively, Alan Garner, Diana Wynne Jones, and Susan Cooper Lanham MD: Scarecrow Press and Children’s Literature Association
  • Drout Michael D. C. 1997. ‘Reading the Signs of the Light: Anglo Saxonism, Education and Obedience in Susan Cooper’s the Dark is Rising’ The Lion and the Unicorn 21.2: 230-25
  • Rahn, Suzanne. 1985. ‘News from E. Nesbit: The Story of the Amulet and the Socialist Utopia’ English Literature in Transition 1880-1920 124-144
  • Rheimer, Mavis. 2006.  ‘The beginning of the End: Writing Empire in E. Nesbit’s Psammead Books’ In E. Nesbit’s Psammead Trilogy: A Children’s Classic at 100. Ed. Raymond E. Jones. Lanham, MD, Toronto, and Oxford: Children’s Literature Association and Scarecrow Press, Inc pp. 39-62
  • Smith, Michelle. 2009. ‘E. Nesbit’s Psammead Trilogy: Reconfiguring Time, Nation and Gender’ English Literature in Transition 1880-1920 52.3: 298-311
  • Carroll, Jane S. 2011 Landscape in Children’s Literature New York, NY/Abingdon: Routledge
  • C. Butler & H. O’Donovan (2012) Reading History in Children’s Books Palgrave Macmillan: Basingstoke
  • V. Krips (2002) The Presence of the Past: Memory, Heritage, and Childhood in Postwar Britain Taylor and Francis e-publishing

Tweeting CA14

It is really hard to deal with Jealousy.

I am fairly busy in my personal life; working as usual, trying to help organise a beer festival, looking for work, volunteering & generally attempting to keep my shit together.
I did not, however, go to the Classical Association conference this year. I knew I wouldn’t/couldn’t afford to last August when I didn’t send in an abstract but that doesn’t mean I don’t feel the twang of regret.

Every day that passes I feel my academic life and credentials slip further away. In part it is because I haven’t been keeping up with my writing (soon I promise), but in part it is because I haven’t kept up with changes…

But…. Thank the daemons of the internet for Twitter. Without it I could not have followed panels of research at the biggest UK conference of its kind and found new things to investigate.  Without it I would be totally cut off waiting for the open access journals to show up on Google and research to be made available through JSTOR from several years ago. Twitter gave me instant access to ideas and to people.
I know that (for many good reasons) people are nervous about the implications for their research, reputation and finances with regard to the broadcasting of their ideas online and I also know that the potential for misrepresentation in such a limited medium is very high but I can’t help feeling that the opportunities far outweigh the risks.

So, yes, I am still horrendously jealous that I couldn’t go and absorb information and ideas first hand. I feel lost without that spark and push of novelty but I am grateful that even when the money is far too tight and even if the social anxiety is far too crippling I don’t have to rot away because there are so many people generous enough to publish their interpretations in a way that reaches into my home and lets me think!

SFF & Classics (1)

Day 1:
I must confess that I was somewhat nervous and un-engaged at the beginning of the first day because my rather sketchy paper was in the first set of panels at the beginning of the afternoon and as a result found it quite hard to follow the two morning papers.
The first was a potted history of the Science-fiction foundation and the second an insight into the writing of Roman inspired alt. history. Each was interesting in its own way but perhaps less inspiring for the scholar in me than for the dilettante I try to hide. I did, however, feel that I ought to go home and read Sophia MacDougall’s books after having heard her speak and perhaps that is all that I needed to take away from the session. Next followed a slightly embarrassing being locked out incident related to forgetting my phone charger and a rather more embarrassing speaking in public incident (I promise I will talk about my panel later) then coffee and the Television and SF panel.

I wouldn’t be lying if I said that I went to this panel primarily to hear Amanda Potter talk about Dr. Who Fanfic and then got suckered in to the discussion on Battlestar Galactica & Caprica.
I have listened to Amanda talk a couple of times, chiefly about Xena, and have always been impressed at the breadth of her research so I was keen to hear her talk about anything Whovian. Her topic was a comparison of how the writers of the (new) TV show used specific classical imagery/mythology (Minotaur & Sirens) with how fans incorporated those classical elements into their own stories.  After her careful description of the different approaches (with a strictly PG rating), Amanda largely concluded that the fans in fact used more detailed classical material and stuck more faithfully to their ancient inspirations than the professional writers. It was especially striking that the Sirens as aliens was a particularly appealing angle of exploration/explanation of the myth in the fanfic but was completely at odds with the pirate-themed episode offered by the show-writers. Overall I wasn’t disappointed by the paper; not only was the potential richness of public engagement with the episodes, characters and classical stories brought out but hypotheses for the multiple roles of classical material were also suggested however it was clear that there is still a lot of work begging to be done on the topic.

I know less about BSG (in this instance the newer incarnation) and its spin-off prequel, Caprica, than I do about Dr Who having only watched a handful of clips prior to these papers but I quickly discovered that I don’t know that much less about them than I do the world of fanfic – it is genuinely amazing how much background knowledge you acquire by just listening to geeks talk – and I didn’t feel as out of my depth in these papers as I expected or as I did in some I attended later in the conference.
The first, by Torsten Caeners, gave a comprehensive and very helpful overview of the multiple layers of classical reception across BSG. Specifically, he argued that although many viewers might easily spot the overt allusions to gods and heroes in the names and theology of the show, more interestingly for classicists, the show also engaged with the world at a more complex level in several areas. Caeners picked 3 topics that he thought showed strong classical elements: plot similarities with the Aeneid, the character of Kara Thrace (Starbuck), and, Adama’s stoicism. Of these, the last was the least convincing and the first most superficial. When pressed in questioning Caeners happily conceded that Adama’s philosophy, whilst clearly showing some hallmarks of Marcus Aurelius, was unlikely to have been either consciously based on a classical philosophical model or to offer much in the way of new reinterpretations. The clear plot elements of the search for a new home after a devastating war and several false stops have an intriguingly Virgilian pattern to a classicist but again it is difficult to determine to what extent that has been mediated by multiple earlier receptions. Is this because there are generally fewer studies showing uses of Aeneid-type journeys than there are of Odyssean ones – or am I showing my ignorance?
However, I found the discussion of Starbuck more intriguing because it touched on both the way that her name was tied to her characterisation [Thrace-Thracian-warrior (Ares & Spartacus?)] but also the Orphic elements of her role – which comprise something of her relationship to music, her katabasis and her moments of “inspiration”. I don’t feel I know the show enough to really comment on what those things might signify or offer but I do think that it shows a fascinating engagement with ancient tragic heroes beyond the obvious.
Overall the paper covered a lot of ground and I think was good for encouraging classicists to look for key key motifs and patterns from antiquity in modern format.

The final paper in the panel was by Melissa Beattie on the use of ideas of autochthony and language in Caprica. Since the only thing I knew about Caprica before this paper was that it was a BSG spin-off I struggled to capture the nuances of the characterisation that the speaker was suggesting. However, the key point that I gleaned from the paper was that the impoverished war-torn colony (planet Tauron) that gives Caprica (the colony/planet) its gangsters is marked out by the use both of an ancient/modern Greek hybrid language in dialect and slang and by frequent references to their rural, land-based life including the use of the perjorative “dirt-eater”. I don’t think I quite understood why the Taurons used Greek, unless it was a purely classicising element to the show, and I was more interested in but even less clear on how the language and the relationship to the earth were connected in the characterisation of the race. Despite suggestions that the Greek was supposed to offer a Mediterranean  feel that evoked the Italian used in American mobster films (and TV), I was left with a slightly uncomfortable sense that if the audience were supposed to recognise it they were also supposed to visualise a rural, backwards and riot-torn Greece with a once glorious past only seen in snatches – a miserable and somewhat racist picture – but that might just be me! Generally however the paper was engagingly delivered and I think rather importantly demonstrated how appropriations can be oddly alienating.

At the end of the panel and on that slightly downbeat note I should sign off this post before it gets any longer…

SFF & Classics (Intro)

Swords. Sorcery, Sandals and Space: The Fantastika and the Classical World was a conference run by the Science Fiction Foundation and the University of Liverpool School of Archaeology, Classics and Egyptology, on the links between science fiction and fantasy and Classical Greece and Rome.  It took place Saturday June 29-Monday July 1.”

I want to write a series of posts about some of the things I learnt from the recent conference & possible next steps in the field.

Firstly it is important to point out that as a means for crossing barriers and creating connections in the various fields represented it was (I think) a resounding success. Even this social phobic managed to talk to a variety of people including several established scholars that I have previously been too embarrassed to talk to.
The conference not only demonstrated a wide array of intersections between SF works and classical material but it also encouraged dialogue about the methodologies of research and their different roles. The first was represented in approximately 60 papers and every conversation I had or heard and the second in several of those papers and especially in Nick Lowe’s Plenary session.

Secondly, I am keen to find out what happens next. I really hope that this picks up some kind of momentum – more conferences or symposia, journal articles and edited collections. Obviously on a purely selfish note I would like to be involved in this kind of research and to have spaces to do it in. There is some evidence that this will happen since, if nothing else, I respect the energy and enthusiasm of the people that I met and believe that they will work to spread the field.

Finally, I have come away with lots fascinating ideas but I only went to a fraction of the papers and know that I will not be able to express all of it coherently so I will also encourage you to read other accounts including: Liz Bourke and Liz Gloyn

CA 2013 – A Lament

Just to be clear I enjoyed this year’s Classical Association Conference – this post is not about why the conference is a terrible thing. It is also not about why am sad that it is all over for me for another year (though I am) – actually I want to explain my experience of the conference and why that makes me sad.

This year was my 4th CA conference, my 3rd as a speaker and my 2nd in Reading. It was a surprisingly different experience for me and yet evoked some clear memories of conferences past.
Firstly, I think I am getting better as a speaker. I stutter less and maintain more momentum although I still have a tendency to ramble on and try to fit too much in. Despite all the recommendations for ad libbing/memorising a presentation, I have to acknowledge that I am more coherent with a script and make more of my points clearly. Need to master not finishing up the notes the night before though (which I did last year too).
Secondly, I feel more like I am able to engage and interact on an intellectual level with the papers. Partly, this is the confidence of having my PhD (in all but certificate) and therefore feeling like less of a fraud and partly it is because now I am not focusing on my doctorate I am more able to see ways that all sorts of topics can feed into potential research (and aren’t just merely interesting concepts). I feel more like I have done some of this stuff but also that I could use it.
Thirdly, I am getting a little better at talking to people. Not a lot better- I still stand around like a lost sheep looking at faces I recognise but who wouldn’t know me from Eve desparately hunting for an opening comment, I still don’t have the nerve to include myself in existing conversations or to sit down next to people. On the other hand I directly engaged in several discussions without the aid of alcohol and only had one meltdown. In some ways this was rather helped by the fact that due to my work commitments I could not/did not have to spend lengthy evenings milling around which allowed for less time feeling awkward.

That brings me to my key personal issue.. I had to work. Well, I guess technically I could have taken the week off, but since I wasn’t funded and want to go to another conference later in the year that would have been a very expensive choice. Like the first CA conference I ever went to (also in Reading) whilst I was doing my MA I dashed back and forth between campus and the pub where I work brain buzzing with thoughts. Unlike the previous one, where as a student helper I often found myself doing photocopying or stranded at a desk, I was able to attend nearly all the sessions (although I only managed 1 keynote) and even to cherry-pick the speakers I wanted to hear.
It was physically and mentally exhausting and yet it focused my mind and forced me to make choices. It stopped me from networking effectively but it made me feel more positive about the connections I did make.

So why a lament?
Two reasons: firstly, without a full-time job and generally outside of academia, despite the fact I finally feel like I am getting the hang of this conference malarky this may well be the last CA I can justify going to; secondly, I have realised just how much I have missed out on by being on the fringes..

CA 2013 – Highlights

I want to open this blog with some belated thoughts about key ideas and interesting facts that I took away from the Classical Association Conference this year.

  • Rejecting the Classics – I really liked the concept of this panel. It is well worth acknowledging that the places where we don’t use classics or aim to subvert them can tell scholars a lot about our preconceptions of what they represent. Where we draw boundaries between disciplines and topics is in itself significant as is whether we have a concept of doing the Classics the right way.
  • Ovid meets Titian – I didn’t really follow the cultural olympiad last year but I now need to go out and take more of a look at how contemporary poets have addressed Metamorphoses using Titian as a visual clue. The idea of a specific and explicit interaction between ancient, intermediate and modern interests me (it reminds me of how so many people only access texts through translation).
  • Roueché & Digital Classics – A big hit at the conference and a key area of growth. It was really good to listen to someone inspirational on the topic of collaboration and getting involved. There are so many fascinating projects that help make classics more accessible and allow us to interpret information in new ways – it makes me even more determined to learn some more technical skills.
  • Tony Keen –  I was enthused by Keen’s discussion of Nesbit’s Amulet and its depiction of Roman Britain. Its going to help my paper later this year. I was particularly interested in the role of Nesbit in the development of children’s lit and the difference between active involvement in the past and passive reception of it.
  • Lisa Maurice – This paper also had some really interesting points to make for my upcoming paper, notably on the temporal distribution of books relating to Roman Britain and the possible connection of the topics in the National Curriculum to eras commonly travelled to in time-travel literature.
  • Other Children’s Lit – There was a notable focus on Caroline Lawrence’s work (I think its got to the point where I really have to go and read some) but there were also a few insightful thoughts about how educational aims are represented and the ways tales from Homer were tailored for post-war Germany.
  • Goff on the WEA – it is always good to see projects that look at grassroots interest in the Classics. This was both unexpected and interesting.
  • Heather Ellis – Easily the most exciting paper of the conference for me. Dr Ellis was examining the way that the British Academy talked about and utilised Classical material, imagery and learning in their development of a scientific community. This has clear links to my thesis – the way that social groups and men-of-learning constructed identity by using the Classics even where such cross-over was a stretch of the imagination fits with the way antiquarians in Cornwall made use of multiple types of evidence and helps explain why they were so keen on Classical texts.

And because its just one of those things, I am sad I missed: Sommerstein on Translation, the papers about the Ure Museum, Robin Osborne’s address and the panel on Digital Classics.